Smoke swirled over the darkened stage as four shadowy figures took their places. The sound began with the drone of a hurdy-gurdy, joined by fiddle, jew’s harp and voice and lastly bouzouki. Finally the lights came up to reveal Le Vent Du Nord in all their splendour. It was an uncharacteristically sombre opening to an evening that was full of laughs.
I usually come home from a gig with a fairly accurate set-list and other notes about who did what. No chance here. The band only introduced a few of their pieces and then usually in rapid French. I fell back on plan B and tried to blag a set-list from keyboardist Nicolas Boulerice but they don’t use one. He did offer to write one up for me, though, and that’s not an offer you get every day. They did tell us that most of the material would come from their most recent album, Têtu, as did ‘Confédération’, the first song they announced by name, having a dig at Anglophone Canadians in the process.
In fact, the announcements in the first half took the form of a debate, which apparently the band had, about whether Têtu should have a terminal “s”. Everyone had to have a say in turn and the running joke got funnier and funnier. I did figure out the unaccompanied ‘La March Des Iroquois’ and ‘Petit Rêve IX’, an almost orchestral piece which begins with a lovely guitar solo played by its composer, fiddler Olivier Demers and they closed the first set with an oldie, ‘Lanlaire’.
Several things stuck in the mind after the gig. The first is the interplay of the four voices. They can stack up harmonies, pick up lines from each other and occasionally sing over each other. The second is that they do the same with melodies, passing a tune from fiddle to melodeon, to hurdy-gurdy and even jew’s harp. Finally comes the energy and fun they bring to their music. Quebecois music is, to say the least, lively and they throw everything they have into it. I was surprised that Demers, who is responsible for most of the foot percussion, was still standing at the end.
The second set opened with ‘Le Cœur De Ma Mère’ and the time just flew past. There was a bizarre moment when Demers played us a country song in French – from his iPhone – before the band sang an unaccompanied and rather more stately version. ‘Forillon’ is one of their more serious songs and they did it full justice. This isn’t a history lesson but you should look up the story. Nico introduced a song with a long, involved story about a song he found in his attic in a hand-written manuscript, learned it and performed it in France only to be told that it was a famous Parisian song that may have derived from mediaeval English. It seems that his “manuscript” was probably copied down from the radio! It was a love song but Nico neglected to name it.
After a wild instrumental finish, they encored with the traditional ‘Vive L’Amour’ and another unaccompanied and unannounced song – perhaps I should have taken Nico up on his offer. Their performance richly deserved the standing ovation and the cheers they received. Do try to hear them while they are on tour here.
Artists’ website: https://leventdunord.com/en/
We’re spoiling you now – four live songs from Le Vent Du Nord:
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