1. Paddy Glackin: Top It Off. Glackin
2.Teada: Jamsey Gannon’s March/McDermott’s/Over The Moor to Peggy. Inne Amarach
3. The Baileys: Colcannon. A Song for ireland
4. Tommy Guihen: The Killeigh/ A Builder of Bridges. The Torn Jacket
5. John McEvoy: Brendan McGlinchey’s/ Mrs Lawrie’s Reel. Trad Irish Fiddle
6. John Regan & Paddy Glackin: The Golden Keyboard/The Bellharbour.
Let Down The Blade
7. Eilis Kennedy: John O’Dreams. Westward
Brid Harper: The Tartan on the Heather/Johnny Boyle’s Jig/The Atlantic Roar. Brid Harper
8. Cillian Vallely: Keep It Up. The Raven’s Rock
9. Kevin Crawford: Chapter 3. Carrying The Tune
10. Daithi Sproule: The Maid of Ballydoo. Lost River Vol 1
11. Tommy Guihen: The Bellharbour/The Piper’sDespair/Boys of Dublin. The Torn Jacket
12. Niamh ni Charra : The Iron Man/Fisrt Century Reel. Happy Out
13. Mick O’Brien & Kevin O’Reilly: The Lass of Carracastle/The Morning Dew/Geese in the Bog. Deadly Buzz
14. Mulcahy Family: John Kelly’s/Rip The Calico/New Line to Laughaun. The Reel Note
We thought it was high time we started sharing the excellent folk show that English singer, songwriter, comedian, author, poet, folk broadcasting and all-round entertainment Leg-end Mike Harding (aka ‘The Rochdale Cowboy’) puts together every Sunday.
Here is last weeks instalment after all that heraldry…
Playlist: for PODCAST: 16 Jul 2017
01 The Ghost Of Hobo Bill – Charlie Roth – Oh My Stars
02 Rufford Park Poachers – Martin Simpson – Trails & Tribulations
03 Erin – Martyn Bennett – Martyn Bennett
04 The Fair Maiden – Madigan – Uncorked
05 We Are Everywhere (A Tramplin’) – Commoners Choir – Commoners Choir
06 Be Low From London – Commoners Choir – Commoners Choir
07 The Manchester Rambler – Ewan MacColl – Black & White: The Definitive Ewan MacColl Collection
The Phil Beer Band rocking Haslemere Hall on 19th May – photo by Darren Beech
Phil arrived hot on the heels of the Show of Hands 5th sellout concert at The Albert Hall and the memory of winning the public vote for ‘Best musician’ in this years folking awards still fresh in his mind.
The night was put together by local promoters Auriol and Stuart who are best known for their intimate ‘meal and music nights’ at Applegarth Farm Grayshott. Phil had asked the pair to organise the event as part of his bands first UK Tour in 5 years.
Auriol said ‘for us music is about collaboration and fun, Phil sells out Applegarth every year just before Christmas with a seasonal celebration of music and friendship. So to be asked to promote his full band at Haslemere Hall was a pleasure and honour. We also asked our friend Julian Lewry to collaborate because he does an amazing job putting on live music regularly at Farncombe Music Club and occasionally Haslemere Hall, and like us has a lovely and loyal group of supporters. Stuart summed the evening up by saying that it was one of his favourite gigs ever.
The Phil Beer Band delved into the back catalogues of Phil’s beloved country, rock, folk and blues material which has become the PB Band trademark of the staple diet that have delighted audiences down the years. A rich tapestry of material with that unique PBB ‘folk n roll’ twist thrown in.
There were just too many highlights to name them all but favourites included:
Simon Smith And The Amazing Dancing Bear (Randy Newman) which came with a tale about Phil’s computer technician days when he managed a computer the size of a house and played records on the night-shift to keep the staff entertained. The Randy Newman track was a firm favourite of these sessions and dedicated to his boss at the time.
Devils Right Hand (Steve Earle) – A blistering full band version which had you leaping out your western salon seat, throwing you cards to the floor and shouting “Shot the dog down” at the appropriate point in the song.
Restless Highway (Richard & Linda Thompson) – A trip back to 1978 and the “First Light” Album – this came with a story about Phil calling RT to confirm the lyrics and RT referring Phil to a lyrics website as he couldn’t remember them.
Acadian Driftwood (The Band) – The whole story of a people displaced condensed into one song – special mention to the melodeon mastery of Gareth Turner that reallymade you feel part of the cinematic backdrop of the piece.
Photo by Darren Beech
The Fireman’s Song (D.Bilston) – Great to hear this again, I was first introduced to this song by Pete Coe, who also does a stunning version of it (unique in the fact that it contains a clog dance at the end). I’ve added the video below from the folking archive (Winchester May fest in 2006) so Phil can learn the steps for next time.
More Hills To Climb (Emily Slade) – It was so lovely to hear Emily sing one of her original songs from her first album “Shire Boy”. That finger style guitar method she uses is bewitching to watch and I felt myself drawn in to it again and again as the evening progressed. From where I was sitting, I decided not to annoy everyone by taking film clips of the performance but inspired, I searched my archive and found a performance clip from back in 2004 from one of the Folking live Farnham Maltings shows I did back then. I had to share it (see below). Apologies it not the whole song, my equipment at the time could not do videos over 3 minutes. How technology has changed…
For My Next Trick I’ll Need A Volunteer (Warren Zevon) and Next Best Western (Richard Shindell) were given the full band treatment and we got through both of them without being sawn in half or receiving a guarantee of a bed for the night!
Special mention also has to be given to Olivia Dunn (fiddle) who threw so much energy into the whole evenings performance, that it left you teetering on the edge, thinking that any minute, she was either going to spin out of control, or compose herself in that split second, just as bow and fiddle folk-rocked from one number to the next.
Photo by Darren Beech
Greg McDonald (bass, vocals) had the impossible task of filling the much missed Nick Quarmby’s shoes and Phil told a lovely story of how they made sure that something of Nicks was left on stage every night. On this night, it was a guitar pick that gave you the impression that Nick was smiling down and tapping his foot along with the rest of us. Greg also came on for a solo spot and gave us a new song called “Night Shift” which I believe will be on his new album.
Can’t Keep From Crying Sometimes (Blind Willie Johnson) – This is a PBB blues classic which has to be included in the repertoire together with that firm favourite Willin’ (Little Feat) – I partially liked the story about the Dorset choir singing in harmony to “Weed, Whites and Wine”.
Perfectly Good Guitar (John Hiatt) – Another great tale to introduce this rocking country classic – about the lunacy of Garth Brooks and Ty England smashing a $5000 Takamine guitars up every night on a 50 date tour in 1991 – you do the math!
The Border Song (Arizona Smoke Revue) – This was one of my favourite performances on the night with again another fascinating tale. Phil was part of this band (as was Steve Crickett) which was formed by Bill Zorn in the late 70’s/ early 80’s. Bill was commissioned to write a song for the movie Midnight Express and The Border Song was that song. In the end however, the song was eclipsed by a Jimmy Hendrix track so it never made the cut. However, the band had just enough money left to employ at “stunt guitarist” who took the form of Richard Thompson. The song appears on the “A Thundering On The Horizon” LP and is the last track on the second side.
Photo by Darren Beech
Before The Deluge (Jackson Browne) was the encore and special mention must also go to “The Hawthornes” who gave us a lively and entertaining start to the evening with Louisa Gaylard setting the pace for a vocal driven acoustic romp through a mariachi style upbeat of pop/rock hooks. The band also featured trumpet player, Greg Wilson-Copp from the Roving Crows, Jesse Benns (drums) and Gordy Partridge (Bass).
The Phil Beer Band on the night were: Gareth Turner (melodeons), Olivia Dunn (fiddles), Emily Slade (guitar, vocals), Greg McDonald (bass, vocals) and Steve Crickett (drums).
The winners of the Radio 2 Folk Awards 2017 have been announced in a ceremony broadcast live from the Royal Albert Hall, London.
Now in their 18th year, the Awards are a key highlight of the folk music calendar and serve to raise the profile of folk music. Talent, new and old, received accolades including Folk Singer of the Year, Best Duo, Best Album, Musician of the Year, Young Folk Award and more. Lifetime Achievement Awards were presented to Ry Cooder and Al Stewart.
American roots-rock musician and songwriter, Ry Cooder, took to the stage for a rare UK performance, singing Jesus On The Mainline. A career-long champion of folk music, he is renowned for his inspired slide guitar playing, and through his own work and collaborations with others, from The Rolling Stones to The Chieftains and Buena Vista Social Club.
British singer-songwriter Al Stewart also took to the stage for a performance of his 1977 song, On The Border. Al started his career on the 1960s London folk scene, and has worked alongside Bert Jansch, Jimmy Page, John Renbourn, Rick Wakeman, Tori Amos, Roy Harper and many more. Appearing at the first Glastonbury Festival in 1970, he became known for his brand of folk-rock, which he combined with tales of characters and events from history. He’s best known for his 1970s hits Year of the Cat and Time Passages.
Tony Blackburn presented Al Stewart with his award and regaled the audience with his own personal story of Al. He explained that in the early 1960s, he had in fact been the lead guitarist in Tony’s own group, ‘Tony Blackburn and the Swinging Bells’.
Tony said: “We used to practice at my parents’ house and, as good as he was, he always played his electric guitar far too loud as it always drowned out my vocals… The fact I’m here tonight will do Al’s credibility a lot of damage but I don’t care as I’ve enjoyed playing ‘Year of the Cat’ very much over the years and I haven’t seen him in a long time. It really is an honour to present this Lifetime Achievement Award to such a talented musician.”
The evening opened with a rousing performance by Afro Celt Sound System. And across the night there were spectacular performances from Shirley Collins MBE (performing Washed Ashore), Daoirí Farrell (Van Diemen’s Land), Jim Moray (Fair Margaret And Sweet William), Billy Bragg (I Ain’t Got No Home), and Fara (Three Fishers).
There was a powerful and moving performance taken from the Ballads of Child Migration, which tells the story of the enforced migration of over 100,000 children to Australia and Canada between 1863 and 1970. The specially-curated performance was narrated by Barbara Dickson with original songs performed by Kris Drever, Jez Lowe, While & Matthews, Boo Hewerdine, O’Hooley & Tidow, John McCusker, Andy Cutting and Michael McGoldrick.
Folk icon Woody Guthrie was inducted into the Radio 2 Folk Awards Hall of Fame, to celebrate his lasting influence. Billy Bragg performed a special tribute with a rendition of Guthrie’s I Ain’t Got No Home. The celebration marked 50 years since Guthrie’s death in 1967, aged 55. The musician wrote some of the most enduring standards in the genre with his life and work dedicated to supporting and documenting the rights of workers and the downtrodden. His songs have been covered by countless singers from Bruce Springsteen to Lady Gaga and he was a mentor to a young Bob Dylan and Ramblin’ Jack Elliott.
Lewis Carnie, Head of Radio 2 said: “Huge congratulations to all the winners of the Radio 2 Folk Awards 2017 – the calibre of all the nominees was outstanding. This annual event is a wonderful celebration of the vibrant folk music scene and tonight’s show was spectacular, featuring some of folk’s most long standing, biggest and newest stars which Radio 2 is committed to supporting throughout the year.”
The Folk Awards will be broadcast on BBC Four on Sunday 9 April at 10pm as an hour-long highlights programme which will include all the performances.
Alternatively, click on any of the links below to see the individual performances:
FOLK SINGER OF THE YEARpresented by Sharleen Spiteri
BEST DUOpresented by Peter Lord of Aardman Animations
Ross Ainslie & Ali Hutton
BEST GROUPpresented by Sir Ray Davies
The Furrow Collective
BEST ALBUMpresented by Mark Kermode
Songs of Separation – Songs of Separation
HORIZON AWARDpresented by Rachel and Becky Unthank (of The Unthanks)
MUSICIAN OF THE YEARpresented by Gus Unger-Hamilton from Alt-J
BEST ORIGINAL TRACKpresented by Susie Dent
If Wishes Were Horses by Kris Drever
BEST TRADITIONAL TRACKpresented by Pauline Black of The Selecter
Van Diemen’s Land by Daoirí Farrell
BBC RADIO 2 YOUNG FOLK AWARDpresented by Simon Nicol of Fairport Convention
Josie Duncan & Pablo Lafuente
LIFETIME ACHIEVEMENT AWARDpresented by Tony Blackburn
LIFETIME ACHIEVEMENT AWARDpresented by Nick Lowe
HALL OF FAME INDUCTEE
Building up to the Awards, Simon Mayo’s Radio 2 Drivetime programme was broadcast live from the Royal Albert Hall. In the show, Simon counted down the Top 10 Most Played Folk Songs on Radio 2. Compiled by PPL, the Number 1 track was Yusuf/Cat Stevens’ Wild World – released in 1970, which featured on his fourth album, Tea for the Tillerman. It wasn’t released as a single in the UK, but reached No 11 on the US Billboard chart. Jimmy Cliff released his recording of Wild World in 1970 – produced by Cat Stevens – reaching No 8 in the UK; with Maxi Priest hitting No 5 with his version in 1988. Cat was presented with the Lifetime Achievement honours at the Radio 2 Folk Awards in 2015. Number 2 of the Top 10 Most Played Folk Songs on Radio 2 was Fleet Foxes’ White Winter Hymnal; at No 3 was Bellowhead’s Roll the Woodpile Down; at No 4 was Meet Me On The Corner by Lindisfarne; No 5 was Underneath The Stars by Kate Rusby; at No 6 was River Man by Nick Drake; No 7 was Fisherman’s Blues by The Waterboys; No 8 was Thea Gilmore & Sandy Denny’s London; at No 9 was Streets of London by Ralph McTell and at No 10 was Roll Away Your Stone by Mumford and Sons.
Yusuf/Cat Stevens said: “I’m surprised that we actually pipped to the post all these great folk singers and that it’s still being played. That makes me feel very satisfied and it shows that the song and the meaning is still relevant. Of course it is relevant because wild world is exactly what it is and exactly what we’re living in right now and it’s getting wilder perhaps.”
The ‘Colour of Change’ EP by Fate the Juggler is a great five track snapshot of the band and made me inquisitive to know whether their diverse sound and broad song range transferred to live performance; it was with some relief and great pleasure to find out that it does – and some.
It is not often in this homogenised, TV driven, screamingly hyped music world in which we live that it can be said that a band is better live than recorded but with Fate the Juggler this is truly the case. This is a band at one with itself, full of expert musicians enjoying themselves, all given their expressive head but all remaining tight as a unit.
A Pizza Express in Maidstone may not resonate as one of those iconic venues but venture upstairs and you enter a concert room as good as any with top quality sound and light and a generous stage to let this multi instrumental band stretch out.
This was a show with a twist; band driving force Rob Spiers opened with a solo eco-friendly song ‘What You Say’ delivered with aplomb and a nod to further solo work planned for next year. Rob was then joined on stage by the effervescent Linze Maesterosa to road test a new song ‘Pure Gold’ – no hitches here and you sense a band that will not let anything out of the bag until it is good and polished.
On we went building nicely into an acoustic section when the bands fine backline of Nick Cursley on double bass and Kirsteen Bristow on gently brushed drums quietly joined the stage for some stripped back songs. The subtle key changes of ‘Chances’ and the title track from the latest EP ‘Colour of Change’ being mid-set highlights.
It was announced that a new song had been finished and that the band would ‘give it a go’ and ‘Your So, So, So’ was let loose on the world. It was great but ‘Will it make the next album cut?’ asked Spiers – high standards indeed.
It was then guest time and the bands producer Nick Sheridan joined the stage juggling acoustic guitar with iPad controlled sound at the same time – seamless. There was a good crowd in and they were treated to a stripped back version of fan favourites ‘Set In Stone’ and ‘Her Auburn Hair’.
Another guest finished his Pizza and joined the ensemble with Don Judges expertly deputising for Dan Masters on electric guitar; a different style to Masters but in this gig with a twist it worked a treat. Judges introduction to ‘The Time, The Place’ was a memorable moment with Nick Cursley driving the song along with one of those catchy bass riffs that wake you up at 4 in the morning.
We were in full swing now and with everyone in the groove the band headed into the full throttle finishing straight with classics ‘Give Up The Ghost’ and ‘Shadows Falling’. Watching the multi-talented Maesterosa in this section was a treat as she switched smoothly from clarinet to flute to saxophone to keys to tambourine and back again not once missing an oooh or an aaah or a well placed harmony.
A brief pause and call for refreshments before a great version of the blues tinged ‘My Broken Heart’. Then bang – a big finish with ‘Blasphemy’ and ‘The Crown’, the band was unleashed and it became clear why they paced themselves!
It was late so no time for an encore but this set had been expertly crafted and built to a crescendo that it didn’t seem to matter.
When you get the chance go and see Fate the Juggler and then spread the word and foist this hidden gem of Kent upon the world.
It is that time of year again and I had an invite to join the lads from folking.com and ‘do’ the 2016 Cropredy Festival. As a Cropredy virgin and non-camper, three days before the event I was filled with trepidation and angst, although the music beckoned! How could you not with such a line up?! This is what kept me going.
I arrived at Folkmaster Towers the day before, to be greeted by camping equipment and God knows what else – strewn all over the front lawn. Were we packing for the army? Decisions of which tent to take, go wash this, do that, but it kept my mind off sleeping in a cow field the next night! I announced I had bought a pop up tent for the occasion as it was quick and easy to put it up, I confidently said, I was told they are a nightmare to put down……..that’s another story!!! A visit to Waitrose followed the front lawn episode.
The day dawned. We were to meet the rest of the team at the ungodly hour of 7am at a service station over an hour and a half away. Everyone turned up at the appointed time, and we sped off in convoy to all arrive at the same time, to be in the same field and set up the Folking.com camp. Paul turned up with a transit van, complete with proper bed, fairy lights, toilet but no kitchen implements or the food and cooking equipment he was supposed to be bringing.
Great start but we had a laugh! We ended up in Field 4, full of cow pats but no cows thankfully. My tent went up a breeze with the help of the wonderful Chris, but our Beloved Leader was hampered by a slight drizzle and size of his tent, and then fluffed about filling it with comfy mattress and everything including the kitchen sink. Jon, Chris myself and Paul just amused ourselves while we were waiting the two and a half hours it took him to create the classic boudoir experience for himself which was only marred by the forgotten sarong which was meant to have provided some sort of Bedouin shade.
Onwards to The Field…. The Festival was opened by Fairport MC – Anthony John Clarke and Thursday kicked off with a Fairport Acoustic set, lots of people already in attendance and we had a good view from where we were, and two huge screens were either side the stage for those further back.
I was on photo duty, so could get to the stage area easily to capture the artists. One of the acts – Coco And The Butterfields were a new name to me and were suggested by Debs Earle and her daughter Rosie from Folk In The Barn, to the Fairport Team, and a good choice. Energetic vocals from these Canterbury buskers.
These were ably followed by Hayseed Dixie, whom I have wanted to see for ages. A rip-roaring Bluegrass Rock with attitude!
Madness with front man Suggs, completed the first day as Headliners. They certainly didn’t disappoint and belted out their hits and more with gusto.
We returned to our tents. I discovered a hill where my head was going to be and managed 4 hours sleep!
Friday dawned very hot, not normal Cropredy weather I’m told , went off for a shower to find the Cricket Pavilion showers blocked. I was the last one and was told I couldn’t have a shower there. Darren suggested that I should have used the excellent Fairport free ones (which he promised to point out to me, but never actually got round to doing). This advice was provided after he paid his two pounds fifty at the Cricket Pavilion, had queued, showered and dressed within ten minutes… Well, if it was going to happen to someone… It was going to happen to me! By this time the acts had started and I missed A J Clarke and Peggy, also BBC R2 YFA winner Brighde Chaimbeul, although I could hear them. Thankfully I surfaced for the female rock duo – Sound Of The Sirens who I had seen earlier this year supporting Rick Astley, they are a favourite of R2 presenter Chris Evans, have performed at Glastonbury, and are so energetic and a joy to watch and listen to. Definitely ones to watch out for.
I had to visit the medical tent… again… it could only happen to me… went in to get some different tablets for a water infection as the ones I had were not working and came back out having being wired up to an ECG machine for an irregular heartbeat. I said I had a Festival to go to, was a first time camper, had a shower disaster, had lost my tooth brush, so what did they expect!? If my ticker was dicky it would last until Sunday! (No alcohol had been consumed by the way).
Another band I enjoyed but had heard before were Willie And The Bandits who are labelled as a classic blues rock band, but they are so much more. They have played Glastonbury and all over Europe. The Cropredy crowd loved them.
Next came festival favourites Steeleye Span with Maddy Prior, who had everyone on the field eating out of their hands. Performing a mixture of songs including their latest album – The Wintersmith and of course – All Around My Hat! In 47 years, the band has notched up a family tree of member changes and like Fairport, have been one of the bands responsible for putting folk-rock on the map. They still sound great!
Friday ended with Headliners – The Bootleg Beatles – who have appeared some years ago at Cropredy. As expected, they belted out a variety of Beatle Hits and a couple of dress changes denoted different eras the Beatles went through. “George” wowed the audience with a fantastic rendition of “While My Guitar Gently Weeps.” I think Cropredy were lucky to get them as they are touring all over the world shortly. Apparently they are the most successful Beatles Tribute act ever. I’m not surprised. Fabulous!
After the main act finished, the rest of the crew (all bar Chis and me) headed off to see the other Paul, Mr. Johnson who was camped near the bottom of the disabled field to listen to him do a couple of his own songs as well as meeting up with his daughter and daughters partner “Dave Longboat’ who had lost his way on the Thursday night back to campsite 4, misplaced his footing and ended up in the Canal. Dave asked me to extend his thanks to the Cropredy villagers, who were having a party at the time and came to the rescue with towels. My camping buddy Paul said, “there are only two things that go in a canal, one a longboat and the other is Dave”, hence the name. I believe that the folkmaster penned a poem to mark the occasion and Paul Johnson is rumoured to be writing a tune for it for next year.
Saturday – main day and another hot one in more ways than one – early start for getting a decent spot on The Field. Richard Digance kicked off the day’s proceedings and was so funny. He can sing well too and play a mean old rag! We ended up with 20,000 people plus doing a Morris dance with hankies! Had to be seen to be believed! Good fun.
Other highlights for me were Maia, who call themselves sci-fi folk genre. Certainly different and very watchable. Then we had Gilmore & Roberts who were a duo I had wanted to catch up with and they didn’t disappoint. They played as a four piece band and I enjoyed them very much.
The Pierce Brothers from Australia brought the house down! The brothers were overwhelmed as they had not played such a big crowd before, and seem very humbled by the response they got from the enthusiastic crowd. Fairport’s Simon Nicol said later that The Pierce Brothers had been knocked for six by the audience reaction to their music. Hope to see them back in the UK soon.
Damien Barber and his Demon Barbers was something else! An energetic fusion of song, dancing, hip hop, trad folk, everything all rolled into one. Very visual and entertaining.
Highlight of the Festival for me was the legend who is Ralph McTell. A classic gifted wordsmith, prolific guitarist and a truly genuine guy. The set included, amongst others, Barges, Pepper and Tomatoes and a rousing rendition of From Clare to Here and he had the audience eating out of his hand and rightly so. A truly fabulous performance from our National Treasure. Of course, Streets of London was there as well, and hearing 20,000 or more people singing it, was a joy in itself. You could tell by the huge smile on Ralph’s face when he finally said goodnight that the love was following in both directions with abundance! Lovely that Paul Johnson and Darren (aka Folkmaster) had done such an amazing interview with Ralph the previous day (listen again below).
Fairport Convention ended the evening and the weekend. They opened with some very funny Olympic themed visuals which you can watch again on the “Fairporters” Facebook group if you missed it. Simon Nicol made a superb speech to the memory of Fairport founder virtuoso fiddler Dave Swarbrick, who sadly died a few months ago, but who has left a fantastic musical legacy and will not be forgotten. Dave has inspired so many people to take up the fiddle over the years and will also be remembered for his song writing, sense of humour and character. The compilation of Swarb photos from across the years was also a lovely touch as well.
An outstanding set from Fairport followed which included a guest appearance from 11-year-old blues guitar wonder-boy Toby Lee, who played the lead on ‘Mr. Lacey’ (I think). Plus the traditional ‘Matty Groves’ and of course, ‘Meet On The Ledge’ ending, the point where the field, all twenty thousand of us, unify around the song that examplifies the reason we all go. My team mates and I all linked up together to sing this and felt myself welling up. I had so enjoyed my first Cropredy, been introduced to some new and amazing artists and their music, and was sorry to have to say goodbye for another year. Yes, I will be going next year for Fairport’s 50th year celebration!